Teatro Español y Naves del Español
Living Arts International Gathering Africa Moment'21 celebrates this year its 5th edition in the cities of Madrid and Barcelona, an unprecedented edition with a double itinerary, which presents proposals of great innovation and artistic quality by leading figures on the...
For years now, the most popular singers have made the leap to the cinema and the theatre and the same is true of actors, they move on to music, participate as singers, create their bands with other players, etc. In every age, artists from one side or the other of the...
The Platform Project is a series that presents small-format stage works that have stood out for their artistic proposals within the independent fringe scene in the city of Madrid.
In these post-crisis times, when there was a genuine explosion in creativity, but when...
We already know that the arts are beneficial to human beings and that children grow best if they develop artistic activities. That is why we believe there is a need to create a project where boys and girls and their families are the protagonists.
Every day there is...
This is a time of memory and opportunity
We believe that the Teatro Español of Madrid is honour-bound to salvage the memory of our more senior actors. Several generations of actresses and actors whose talent and efforts have helped make our society more...
6 > 22€
Tuesday to Saturday / 8pm Sunday / 7pm
Manuel has injured a police officer and fled the scene, hiding out at his uncle's house. He doesn’t know the extent of the injury, but his uncle advises him to disappear: no matter how serious it is, they will find him and he will spend a long time in prison. Manuel’s only option is to flee by night and hide out in a remote, abandoned village, one that the two men decide to call Zarzahuriel. There, despite having almost nothing and surviving by a thread, Manual discovers his good life. He is only in telephone contact with his uncle, who helps as much as he can remotely. The peace, calm and freedom that Manual experiences in Zarzahuriel mean that he doesn’t miss anything; on the contrary, his precariousness is what brings him closer to happiness, close enough to almost touch it. And things stay this way until an urban family, “mochufas” as he calls them, decides to enjoy rural life by acquiring and taking up residence in another one of the abandoned houses in Zarzahuriel. This unexpected coexistence will disrupt Manuel’s existence and contaminate his paradise forever.
The theatrical adaptation of Santiago Lorenzo’s novel captures the entire adventure through the gaze of the two men, Manual and his uncle. With each in his own space, they experience the different phases of Manuel’s life together, separated by distance but united on the stage, as if they were in the same place: the initial fear of losing his freedom, the discovery of the joy of a solitary and precarious life, the ridiculousness of the weekend visitors contaminating his paradise, his return to the city, and the definitive end of the search for absolute freedom. All of this is expressed in the radical and unclassifiable Spanish of Santiago Lorenzo, who gives the story a sense of humour that is, simply, different from what we are accustomed to.
Direction: David Serrano
Text by: Jordi Galceran y Jaume Buixó, based on the novel by Santiago Lorenzo
Cast: Miguel Rellán y Secun de la Rosa
Scenic and costume design: Alessio Meloni
Ligthing design: Juan Gómez-Cornejo y Pilar Valdelvira
Original music: Miguel Malla
A production of Octubre Producciones y Teatro Español