Teatro Español y Naves del Español
For years now, the most popular singers have made the leap to the cinema and the theatre and the same is true of actors, they move on to music, participate as singers, create their bands with other players, etc. In every age, artists from one side or the other of the...
The Platform Project is a series that presents small-format stage works that have stood out for their artistic proposals within the independent fringe scene in the city of Madrid.
In these post-crisis times, when there was a genuine explosion in creativity, but when...
We already know that the arts are beneficial to human beings and that children grow best if they develop artistic activities. That is why we believe there is a need to create a project where boys and girls and their families are the protagonists.
Every day there is...
Tuesday to Sunday / 7pm
Is desire death? Die or enjoy?
Marat ~ Sade is the abbreviated title of one of the crowning works of 20th-century European theatre. For a few weeks, the Sala Fernando Arrabal of the Naves del Teatro Español will become a huge mental health centre where a group of patients/actors act out scenes set in a time following the French Revolution.
This play within a play, directed by and starring the Marquis de Sade, is the setting for a philosophical debate between Sade himself and the historical revolutionary Jean-Paul Marat. Over the course the story, we sense great tension between various questions: vice versus virtue, the collective versus the individual, rich versus poor... Do we sacrifice everything for pleasure in life? Or do we gain everything through the sacrifice of death?
We find ourselves before a poetically-charged play about the power of the collective as opposed to nihilist thought. There is no avoiding how this text by Peter Weiss draws on Artaud’s Theatre of Cruelty, but is also inspired by Grotowski's Poor Theatre, with the clear influence of Bertolt Brecht.
This new production, by Teatro Español, has a great team of creators and actors, which, in addition to the vision of Israeli choreographer Sharon Fridman, will add a certain amount of poetic distortion to a text that is unquestionably formidable and completely contemporary..Luis Luque
A production of Teatro Español