Teatro Español y Naves del Español
Living Arts International Gathering Africa Moment'21 celebrates this year its 5th edition in the cities of Madrid and Barcelona, an unprecedented edition with a double itinerary, which presents proposals of great innovation and artistic quality by leading figures on the...
For years now, the most popular singers have made the leap to the cinema and the theatre and the same is true of actors, they move on to music, participate as singers, create their bands with other players, etc. In every age, artists from one side or the other of the...
The Platform Project is a series that presents small-format stage works that have stood out for their artistic proposals within the independent fringe scene in the city of Madrid.
In these post-crisis times, when there was a genuine explosion in creativity, but when...
We already know that the arts are beneficial to human beings and that children grow best if they develop artistic activities. That is why we believe there is a need to create a project where boys and girls and their families are the protagonists.
Every day there is...
This is a time of memory and opportunity
This is a time of memory and opportunity
We believe that the Teatro Español of Madrid is honour-bound to salvage the memory of our more senior actors. Several generations of actresses and actors whose talent and efforts have helped make our society more...
What is left when everything has been eliminated? Without a doubt, the white remains. And whatever we will still have to shatter to reach the lowest common denominator. To that which, obstinately, continues to talk to us of Là, from Là. No matter what it costs. No matter what gets away. As much for the enchantment and the journey, as for the joy.
In the beginning, the gesture would be reduced to the essential: two bodies, two genders, two colours, two dimensions, two kingdoms, the same solitude, the same tenacious desire that continues and starts all over again. The same deep desire to let oneself be transformed by the other, to be displaced by the other. As if everything would only exist if it were disturbed or pierced. There would be two humans and a crow embarking on a curious, sensitive and poetic dance with each other, where each body leaves its mark, where each story is written.
Part one of a diptych, Là is a prologue, a raw, naked gesture that circulates between bodies and voices, between rhythms and portés, between fall and impulse. In it, nothing is fixed, nothing is installed, everything is precipitated. This first work, a forerunner of Falaise, presents this language without words or pauses that unfolds beneath our lives. It turns the interior space inside out ike a glove and invites us to observe ourselves on the shifting surface of our gestures. Zooming into the present of the here and now, Là revisits the ignored gestures, the impulsive gestures, those of the tremor, those of the spasm or the scream, those of life in any way, those of life at any price.
A creation by: Baro d’evel
Cast: Camille Decourtye, Blaï Mateu Trias y el cuervo encapuchado Gus
Collaboration with the directors: Maria Muñoz – Pep Ramis / Mal Pelo
Dramaturgy: Barbara Métais-Chastanier
Set design: Lluc Castells
Sound design: Fanny Thollot
Lighting design: Adèle Grépinet
A co-production between Baro d’evel and GREC 2018 festival de Barcelona et Teatre Lliure à Barcelone, Théâtre Garonne, scène européenne, Festival Montpellier Danse 2018, Malraux scène nationale Chambéry Savoie, ThéâtredelaCité – CDN Toulouse Occitanie, Pronomade(s) en Haute-Garonne, CNAR, MC93, Maison de la Culture de Seine-Saint- Denis, Le Grand T, théâtre de Loire-Atlantique, L’Archipel, scène nationale de Perpignan, CIRCa, Pôle National Cirque, Auch Gers Occitanie, le Parvis, scène nationale Tarbes- Pyrénées, Les Halles de Schaerbeek – Bruxelles, Le Prato, théâtre international de quartier, pôle national cirque de Lille, L’Estive, scène nationale de Foix et de l’Ariège, le festival BAD à Bilbao, le Cirque Jules Verne, PNC Amiens, la scène nationale d’Albi dans le cadre du soutien du FONDOC, Bonlieu, scène nationale d’Annecy, l’Avant-scène à Cognac